Showing posts with label dance. Show all posts
Showing posts with label dance. Show all posts

Wednesday, March 28, 2012

Frame Rates


Marina Kanno and Giacomo Bevilaqua from Staatsballett Berlin perform several jumps captured in slow motion at 1000 frames per second.


So, working on Halfland brings a great deal of realization and insight with it. One of the things that is occurring is the sense of life itself being very much like a frame-by-frame animation. It's dawning slowly on me that the only difference between life, animation, and dreams is the "Frame Rate". How many slices of action we can perceive. Too out-there of an idea for you? well, that's why it's posted on the underground.

Case in point. The super slow mo camera technology experiments that are emerging from all over the world are capturing human imagination, I think for a reason. If you watch this captivating, sublimely beautiful clip of young dancers jumping, you may notice how when the 1,000 frames per second kicks in, it begins to imitate or emulate our own mind's ability to see. It becomes nearly a god's eye view (be sure to catch it on YouTube directly after it's all buffered for the effect). I feel that we often see this way in our own dreams. Do you?

Tuesday, March 8, 2011

The Finest Dances I've Seen: To be as God

It may or may not be germane to Halfland per se, but Paul found these two Korean dance clips on YouTube that are among the finest examples of dance as art I've seen. The first was from a couple years back of the stunning dancer Min Young Park and we love her entire presence throughout her piece, even the way she commands the stage as she walks onto it. All the way through.



The next is a sublime young male dancer named Sun-Chon HAN who, it seems, has been inspired  by the previous performance and taken the genre/style higher still. He makes a leap at the 2:39 mark that, if one is at all in touch with their heart in that moment, will move the viewer to tears with its total ecstatic abandon.



There is something profound at work in these pieces. Something at the core of dance as an artform. They both seem to be not just merely dancing to music, nor performing it.

To dance is to become the music. Not to dance to it. Not to perform it. But in reality to become the vibratory expression itself. To be as God.